Wednesday, June 25, 2008

Youth Artist Stephanie Johnson

Artisans on Taylor welcomes back youth artist Stephanie K. Johnson, 17, as their featured artist for July. This award winning painter has developed her own playful impressionistic style.
This past year has been punctuated with many artistic endeavors. Stephanie participated in Seattle’s National Portfolio Day and came away with offers from several prestigious American art schools.

Her dramatic oil originals for this year’s exhibition includes a sunlit home in Port Townsend, European and domestic cafĂ© scenes, a Japanese Koi, and several Tuscan landscapes.

Stephanie’s work in oil has broadened and become more developed. Her “Walking through Sant’ Anna” painting won best in show at the Woodinville Community Art Show, Teen division and her ‘Inside Sant’ Antimo” won first place.

Stephanie has studied for the past seven years under international artists Teresa Saia and Milan Heger. Her teachers Dianne Brudnicki and Laurie Garcia have also given her direction. Collectors in Europe and North America have enjoyed her colorful and expressionistic paintings.

Her recent works, in oil will be available through the month of July at Artisans.

Please join Artisans on Taylor and meet this talented young artist at a reception held Saturday July 5th, 5:30 – 8:30 pm, during gallery walk. Light refreshments will be served. Artisans on Taylor is located at 236 Taylor St., across from the Rose Theatre. The gallery is open daily, 11 a.m.-6 p.m.




























IMAGES:
1. Sunset at the Villa
2. The Tuscan Vineyard
3. The Pergola
4. Waiting
5. Walking to Work

Saturday, May 10, 2008

Signs of Spring!

Watercolors by Katy Gilmore & Jewels by Mary Edwards
+ Special guest craftsman interior designer Karen K. Hovde and Project Dove, a peace installation by Sierra Nyokka�
The signs of Spring seemed a bit shy this year. But the sun is out and Mothers day is upon us.
Treat yourself to a trip downtown Port Townsend and tour the galleries.

This is a truly beautiful show and will bring forward your favorite memories of this incredible
season.

Cheers!

Friday, March 28, 2008

Women in Art, Month I


Paintings by Anne Grgich, Alison O'Donoghue, Cheri O'Brien
and New Jewelry by Sharon Saindon

Opening Reception
Saturday, April 5th, 6 to 8PM

Born and raised in Portland, OR Alison O’Donoghue has been painting and exhibiting her work for over 20 years. Described by Anne Grgich her paintings are “obsessive mazelike arrangements . . . . intestinal realities and accessible entanglements with positive and negative spaces. O’Donoghue starts with a smooth black layer of paint and detailed brushlike drawings in white. O’Donoghue’s then adds a vibrating color palate that moves her tales endlessly to their own rhythm of reality and with volume, dimension, light and shade in fluid emotion seeming to be endlessly streaming out of her fingertips building an unreality moving in space for the viewer to see where imagination leads to make their own conclusions."

Artisans on Taylor welcomes back Anne Grgich. The curator of one of AOT’s most well-received exhibitions, Internal Guidance Systems: Visionary Art Tour, returns with a large body of her own work.

Speaking on her work Grgich says, “So much is involved in my work and where it comes from, all at once: bold and luminous, painterly, gritty, grotesque, hysterical, historic, collage onslaughts treated to various ends for color (as a palette), as form, as reference, reverence and design—all overlain with the calligraphy of my own religious vernacular—a feverish automatic painting vocabulary with infinite, mutating dialects.”

From Professor of Art History and Theory and Director of the School of Art & Design Colin Rhodes we learn, “Grgich began making spontaneous art at the age of fifteen, mostly by clandestinely painting in her family’s books, or making junk constructions. She first introduced collage into her work around 1988, but took it to a higher level in 1997 during a period of illness. During her convalescence she worked in bed, making paintings on file cards and CD’s and organizing collages from material she had collected. When she had recovered, later that year she began to produce collage paintings—images of people encountered over time in the street and in mind journeys that manifest themselves and recombine, according to her mood, in the process of creation. Recently, she has described her faces and people as ‘manifestations of conglomerated persona, in a way acting out these characters’. In a way they are a displacement for action in the world out there; fragments of experience, thought and interaction brought together to produce new possibilities out of contemplation. As she puts it, ‘bundling images, separating them’, then looking for ‘interrelating pieces to build meaning and feeling’. Seen separately these faces are individually commanding, but seen together, they form not so much a series of portraits as a group of living presences.”

Cheri O’Brien is a Pacific Northwest native currently residing and painting in Everett. She is a self-taught professional artist of nineteen years continually inspired by her many muses, both real and imagined. The fabulous river and mountain views from her studio window as well as the Palouse region are romantically captured. Considered an 'artist's artist' by her peers, she also creates humorous paintings of people and animals in interesting situations. Her latest work has been glass enamel paintings and fused painted stained glass.

In the words of Joe Heim of the Seattle Times, "Each painting is a contained one-act play. O’Brien’s figures convey real emotion. Pernicious humor, loneliness and boredom are revealed in bold vividly colored paintings."

O’Brien’s work is collected throughout Washington State and as the world sits up and takes notice of this eclectic artist with a unique voice, her paintings are making their way across the whole Continent and eking into Europe and Japan.

Port Townsend metalsmith, Sharon Saindon, presents a new body of jewelry designs. You most likely find her in her 10 x 10 foot shop in the late afternoon. Savoring the twilight Saindon is often at her most creative in the evenings.

As a student her focus was on sculpture, but her turned to jewelry as she became interested in the psychology of body adornment. “By wearing jewelry people emake art and soulful expression part of their everyday lives.”

Saindon is known for a straight-forward elegance which honors the inherent beauty and strength of metal. This distinctive style is born of a simple design process, “Doodle in a book, scratch out the ugly ones, doodle again, make one out of copper. If it’s ugly, toss it in the recycle bin, if it’s only kind of ugly let it sit on the desk and hope that I can figure out how to make it prettier.”[PICTURED, from top: Crash Course by Alison O’Donohgue, Bus to Guadalajara by Cheri O’Brien, Earrings by Sharon Saindon]

Wednesday, February 27, 2008

Four Featured Artists in March

Opening Reception & Art Walk
Saturday, March 1st
6 to 8PM

Assemblage by Nita Hughes

Nita Hughes sees things differently. “When I was 4 years old I found a huge entanglement of colored telephone wires and took pieces home and made a large bouquet for my bedroom. I saw just as much beauty in these twisted, tangled masses as I would have seen in an arrangement of beautiful flowers, and I would constantly stare at my creation with adornment and carefully rearrange the ‘branches.’ ”

“I have always been able to look at an ordinary object and take it completely away from its intended use and visualize its new purpose or function.”

Hughes works with hand-sculpted wood, paint, wax, found objects, stone, metal and wire. “I use whatever I find.” In this way the artist changes the perceived value of a material, “a piece of gold is equal to a rusted nail, a diamond is not cherished above a discovered, sun-bleached animal bone. The cast-off and discarded are the treasures.”

Hughes works with themes of protection, trust or the lack of it, and finding security in the permanence of the need for truth in human nature. “The idea of the gods, religious icons and rituals and images of saint-like protectors frequently find a way into my work.” Her art reflects a continuing interest in spirituality. “I have always been intrigued by how people choose one ‘religion’ over others, accept ideals or beliefs, decide what is sacred to them or where to place their complete confidence and trust.”
IMAGES BY NITA HUGHES:

Above:
Keeper of the Garden of The Dead
Light box, hand carved painted wood, found objects, bone, branches, moss
30"H x 14"W X 8"D

Below:
Farm Goddess
Assemblage, painted wood, encaustic, found objects, hypodermic needles
29"H x 22"W X 8"D
























New Prints by Ken Parker

Ken Parker's hands are rarely idle. This passionate artist from County Cork, Ireland works in a wide range of media and materials to create his unique form of artwork. “I love to make art, working on my prints and sculpture is as essential to me as eating and breathing.”

Until recently Ken has been additionally consumed with working with other people. In “troubles era” Belfast initially, followed by all Ireland and the United States Ken ran workshops using various materials and art forms, such as, concrete sculpture, murals, printmaking, glasswork etc. These workshops brought an endless assortment of ideas to schools, community centers, even prisons, bringing people and communities together for rare creative experiences. “Everyone has the ability to create something unique. I help them draw it out.”

Early career work in the jewelry trade, leading to a lengthy period as a self-employed engraver of fine metals, and running a retail business eventually led to dissatisfaction and of being unfulfilled. “I got the chance to return to art schoo1 as 'mature student' and I haven't looked back.”

Ultimately gaining a Masters Degree in Fine Art at the University of Ulster at Belfast in 1990, Parker continues to exhibit his prints and sculpture and also to facilitate workshops, both in Ireland and the United States.
Parker describes printmaking as “2D sculpture!” Using re-cycled and found objects in the making of his large dynamic collograph prints, they are very much hand made. “I enjoy being literally in touch with the work, not separated by brush or other instrument.” His other favored printmaking technique, the silkscreen process, is used on its own and also with collograph to form a hybrid highly unique to the artist, the collo/silkscreen print. Making prints up to four meters square in some cases, his is a very sophisticated, accomplished work.

Prints by Jeane Myers and Brent Wickline's Feather Sculpture

Also this month Jeane Myers, who is a part of the mastermind design team, along with Lisa Johnson and Teresa Verraes, responsible for the transformations AOT undergoes each month brings her process driven assemblage to the gallery. As an artist and designer she is propelled by the question "What if?" and the intuitive trust that the work stay in the moment. “What if I put a mark here? What if I lay color there or text from a journal entry. All of this creates an underpainting that is my map. This map is my doorway into an exploration of what lies beneath the visible outer layer. The journey can take as little as a few hours or traverse years.”

Plus, AOT is proud to feature feather sculptures by Brent Wickline. Wickline’s sculptures have been attracting attention at the gallery for many months. His unassuming works often they steal the show with their simple elegance and eye-catching movement. His small-scale twisted wire sculptures are feats of perfect balance that twirl and dip in the slightest of passing breeze. They give the viewer an irresistible impression that the work is reacting to their presence. His recent creations include miniature bottles, odds and ends, and splashes of brilliantly colored plumage.

Thursday, December 13, 2007

Helga Winter

Helga Winter's hand turned bowls are perfect for a one of a kind gift this holiday season. Artisans has a large selection for you to choose from. Last month Helga was our featured artist and did several demonstrations. Watch her in action below.

Wednesday, November 28, 2007

December

COUNSEL LANGLEY:
NEW PAINTINGS
DANIEL WILSON: CRAFTSMEN BOXES


DECEMBER

OPENING RECEPTION:
SATURDAY THE 1ST
6 -8PM

LIVE PAINTING

READ IT NOW:
RANDOMLY GENERATED INTERVIEW

New Paintings by Counsel Langley


Artisans on Taylor is proud to present new paintings by Counsel Langley. Raised in Northwest Langley received her BFA in Metals from Massachusetts College of Art, Boston in 1999. Metalsmithing’s emphasis on small-scale details and rich surfaces directly impacts her technique as a painter. Her work has been exhibited in several Northwest solo and juried shows, was awarded Best of Show in this year’s Art Port Townsend regional juried exhibition, and was selected for publication in Visual Codec’s One Shot. Using acrylics, inks and immodest amounts of glitter, her paintings explore her memories of urban spaces, as well as the look of circuitry, fluid turbulence, weather, diagrams, and outer space.

Langley presents pieces from her cityscape series in which she experiments with new perspectives—from a airplane, amid skyscrapers, particular districts, exposure of a vast underground upon which the city is built, along with others. Regardless of the perspective, there is always an element of these contrived environments interacting with the natural world, whether in antagonistic tension or pristine balance.

Along side these Langley shows Bridges in which she illustrates a fascination with both the “impudent will that drives us to conquer natural barriers and the level of trust required to cross bridges one did not build.” She unveils two new series: Utility and Captivity/Captivate. With the Utility series the artist “looks at how we harness and use of energy.” Captivity/Captivate explores the “irresistible intrigue of the Other and questions what it means to be in a cage.”

It is with sheer delight that Artisans on Taylor will host a series of “Live Painting” events in which Langley will recreate, in the gallery, a slice her life in the studio. The first Live Painting will be during the Opening Reception with and later dates in December to be announced.

Enduring Quality: Daniel Wilson’s Craftsmen Wood Boxes

During the month of December Artisans on Taylor presents craftsmen wood boxes by Daniel Wilson. Handmade with care and attention to detail these unique works reflect their maker’s desire for sustainability, enduring quality and beauty. “When designing a project, I make choices based on this conservationist sensibility. Whenever possible, I use recycled materials. I build to last. When I begin, I look for the beauty; when I finish I leave beauty.”

Growing up in the Pacific Northwest has molded Wilson into “a sailing enthusiast and a bit of a tree hugger.” His experience, which includes work in housing construction, harvesting forest products, recycling and boat repair, has made him witness to a grievous waste of resources. “I wish that we could all make that shift in consciousness to personally practice conservation every day.” In his work Wilson makes this wish a part of his practice by using resources wisely. “If I am going to support the tree harvesting industry, which is what I’m doing by buying wood, then I feel I should use that wood to create a monument to the beauty of the tree. I believe that one should approach every woodworking job as though a tree gave its life for this project.”

Thursday, October 25, 2007

Helga Winter: Wood Turn Vessels


November at Artisans on Taylor we will feature Wood Turned Vessels by Helga Winter.
Opening Reception with the artist Saturday, November 3rd, 5:30

Artisans on Taylor is proud to present wood turned vessels by Helga Winter. Born and raised in Germany, Winter has been a wood turner since 1982. She studied under Rude Osolnik, David Ellsworth, Liam O’Neil and Paul Pitts. Her work has been exhibited in group shows in Europe and the United States. Winter received her M.S. in Education from Vanderbilt’s Peabody College of Education and Human Development. She has demonstrated wood turning in Austria, taught studio classes since 1987 and was an instructor at the Northwest School of Wooden Boat Building in Port Townsend, Washington from 1992 through 1995. She also helped found the Tennessee Association of Woodturners.
She hand turns unseasoned or “green” Pacific Madrone (arbutus menziesii) on a wood lathe. The drying of green Madrone is an organic process of change, for the artist it refers “to a sense of mystery, balance, the fragility of life and a sense of movement.”
Looking at the center of things is the underlying theme in Winter’s work as an artist and educator. “The process of my work is a self-discovery. The pieces are felt and become known to me only to be discovered anew through the beholder’s imagination” upon whom it rests to investigate and decide the function of the piece.
Winter embellishes her turned vessels with dyes and drawn patterns as well as paper to invite a closer look and investigation. The vessel, “when given a new appearance or ‘look’ through dying or patterning its surface, allows a quiet conversation to take place. Who am I really? How does my appearance, my attitude affect my inner being? Do they enhance the Self or cover it up?”
Through these processes Winter strives to show the pureness of the wood. Her work is a metaphor for the essence of Being.